Profilo dell professionista

Pedro Caldeira

  • 1300 Lisbon, Portogallo

Le tue competenze

  • Settori
    • Film
    • Eventi e Concerti
    • TV e Media
    • Postproduzione
  • Ruoli
    • Editore
    • Direttore
    • Operatore Boom
    • Editore del suono
    • Direttore della fotografia (DOP)
  • Hardware
    • Canon 5D
    • Sony A7S II
    • Panasonic GH5
  • Software
    • Adobe Premiere Pro
    • DaVinci Resolve
    • Adobe Audition
    • Adobe After Effect

Raccomandazioni

Nessuna raccomandazione al momento. Sii il primo a raccomandare Pedro.

Nessuna raccomandazione al momento.

Attrezzature

Camera, Lenses, Etc

Sony a7sii
Canon 5D Mark II
Sigma 24-70mm 2.8
Canon EF 50mm f/1.8 STM
Handheld Camera Stabilizer Eimo for DSLR
Smoke Machine BeamZ F900

Sound Recording Gear

Zoom H4n
Tascam DR-07MKII  
Shotgun mic Audio Technica AT897
Perche 3m

 

Lingue

  • Portoghese
  • Inglese
  • Spagnolo

Sommario

After years as a programmer and consultant, I focused all my efforts on audiovisual work. 
Adapting my previous experience on this new path, I studied editing image and sound post-production. 
Nowadays I work mostly as Video Editor, but I also direct and sometimes do some work in the sound department.

Formazione e Certificazioni

Esperienze

O Silêncio

Director, Editor, Writer, Producer

09/2019 - 11/2019

https://vimeo.com/manage/videos/384107397

How a small challenge among friends became an adaptation of one of the most celebrated Portuguese authors in an 16mm short-film.

indignu [lat.] com Manel Cruz - Nem só das cinzas se renasce

Director, DoP, Editor, Producer

04/2018 - 05/2018

https://www.youtube.com/watch?v=pzLRt27R5HQ&ab_channel=indignuofficial

I ended up without a DoP one day before shooting this music video. I decided to pick up the camera myself and I'm pretty proud of the result, especially because it was my first time working with Sony a7sii cameras and my first time shooting in B&W.

Dessa Água Não Beberei

Director, Editor, Producer

01/2018 - 05/2020

https://vimeo.com/442511050

The first time my team and I had time and external funding to immerse ourselves in producing an autobiographical view on a family drama that shows how interpersonal relations can be damaged beyond repair by an authoritarian parental figure.

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